The MousetrapAct III, Scene 2 — A hall in the castle

Scene 3 of Hamlet by William Shakespeare

Enter Hamlet and three of the Players.

Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue; but if you mouth it, as many of our players do, I had as lief the town-crier spoke my lines. Nor do not saw the air too much with your hand, thus, but use all gently; for in the very torrent, tempest, and, as I may say, whirlwind of your passion, you must acquire and beget a temperance that may give it smoothness. O, it offends me to the soul to hear a robustious, periwig-pated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings, who for the most part are capable of nothing but inexplicable dumb-shows and noise. I would have such a fellow whipped for o'erdoing Termagant. It out-Herods Herod. Pray you, avoid it.

I warrant your honour.

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The Mousetrap

HAMLETHORATIOCLAUDIUSGERTRUDE

A hall in the castle

Hamlet directs the players; the play-within-the-play catches Claudius's guilt

[Enter Hamlet and three of the Players.]

HAMLET

Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue; but if you mouth it, as many of our players do, I had as lief the town-crier spoke my lines. Nor do not saw the air too much with your hand, thus, but use all gently; for in the very torrent, tempest, and, as I may say, whirlwind of your passion, you must acquire and beget a temperance that may give it smoothness. O, it offends me to the soul to hear a robustious, periwig-pated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings, who for the most part are capable of nothing but inexplicable dumb-shows and noise. I would have such a fellow whipped for o'erdoing Termagant. It out-Herods Herod. Pray you, avoid it.

FIRST PLAYER

I warrant your honour.

HAMLET

Be not too tame neither, but let your own discretion be your tutor. Suit the action to the word, the word to the action, with this special observance, that you o'erstep not the modesty of nature. For anything so o'erdone is from the purpose of playing, whose end, both at the first and now, was and is to hold, as 'twere, the mirror up to nature, to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure. Now this overdone, or come tardy off, though it makes the unskilful laugh, cannot but make the judicious grieve, the censure of the which one must in your allowance o'erweigh a whole theatre of others. O, there be players that I have seen play, and heard others praise, and that highly, not to speak it profanely, that, neither having the accent of Christians nor the gait of Christian, pagan, nor man, have so strutted and bellowed that I have thought some of nature's journeymen had made men, and not made them well, they imitated humanity so abominably.

FIRST PLAYER

I hope we have reformed that indifferently with us, sir.

HAMLET

O, reform it altogether. And let those that play your clowns speak no more than is set down for them; for there be of them that will themselves laugh, to set on some quantity of barren spectators to laugh too, though in the mean time some necessary question of the play be then to be considered. That's villainous, and shows a most pitiful ambition in the fool that uses it. Go make you ready.

[Exeunt Players. Enter Horatio.]

HAMLET

Horatio, thou art e'en as just a man as e'er my conversation coped withal.

HAMLET

There is a play tonight before the King. One scene of it comes near the circumstance which I have told thee of my father's death. I prithee, when thou seest that act afoot, even with the very comment of thy soul observe my uncle. If his occulted guilt do not itself unkennel in one speech, it is a damned ghost that we have seen, and my imaginations are as foul as Vulcan's stithy. Give him heedful note, for I mine eyes will rivet to his face, and after we will both our judgements join in censure of his seeming.

HORATIO

Well, my lord, if he steal aught the whilst this play is playing and 'scape detecting, I will pay the theft.

[A flourish of trumpets. The dumb-show begins. Enter a King and a Queen very lovingly; the Queen embracing him. She kneels and makes show of protestation unto him. He takes her up, and declines his head upon her neck. He lies him down upon a bank of flowers. She, seeing him asleep, leaves him. Anon comes in another man, takes off his crown, kisses it, pours poison in the sleeper's ears, and leaves him. The Queen returns, finds the King dead, makes passionate action. The poisoner with some three or four comes in again, seem to condole with her. The dead body is carried away. The poisoner woos the Queen with gifts. She seems harsh awhile, but in the end accepts love.]

PLAYER KING

Full thirty times hath Phoebus' cart gone round Neptune's salt wash and Tellus' orbed ground, and thirty dozen moons with borrowed sheen about the world have times twelve thirties been, since love our hearts and Hymen did our hands unite commutual in most sacred bands.

PLAYER QUEEN

So many journeys may the sun and moon make us again count o'er ere love be done! But woe is me, you are so sick of late, so far from cheer and from your former state, that I distrust you. Yet, though I distrust, discomfort you, my lord, it nothing must.

PLAYER QUEEN

Both here and hence pursue me lasting strife, if, once a widow, ever I be wife!

HAMLET

Madam, how like you this play?

GERTRUDE

The lady doth protest too much, methinks.

HAMLET

O, but she'll keep her word.

CLAUDIUS

Have you heard the argument? Is there no offence in't?

HAMLET

No, no, they do but jest—poison in jest. No offence i' th' world.

[The Player Poisoner enters and pours poison into the sleeping Player King's ears.]

HAMLET

He poisons him i' th' garden for his estate. His name's Gonzago. The story is extant, and written in very choice Italian. You shall see anon how the murderer gets the love of Gonzago's wife.

[The King rises.]

GERTRUDE

What, frighted with false fire?

CLAUDIUS

Give me some light! Away!

[Exeunt all but Hamlet and Horatio.]

HAMLET

O good Horatio, I'll take the ghost's word for a thousand pound. Didst perceive?

HORATIO

Very well, my lord.

HAMLET

Upon the talk of the poisoning?

HORATIO

I did very well note him.

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